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Brecht y el Expresionismo recorre a nivel estético, dramático y escénico los lugares de la confrontación (la producción del joven Brecht y las creaciones de aquellos que a partir de 1912 construyeron la vanguardia alemana), para acabar localizando en los 'Lehrstücke' (obras didácticas) un momento de equilibrio entre la experimentación y la forma, entre lo artístico y lo ideológico, entre lo efectivo y lo utópico.

'Anyone who directly and genuinely renders what drives him to create is one of us,' proclaimed the manifesto of Die Brücke (The Bridge), a close-knit group of artists who first met in Dresden in 1905. Its founding members were four Jugendstil architecture students: Fritz Bleyl, Erich Heckel, Karl Schmidt-Rottluff and Ernst Ludwig Kirchner. Eschewing the contemporary academic styles and subjects, these four artists instead looked to their German art heritage to make 'a bridge' with the past, favoring such artists as Albrecht Dürer, Matthias Grünewald and Lucas Cranach the Elder. They also drew on Fauvist and Primitivist art in their quest for unhindered expression and, with this combination of resources, propelled German art into the twentieth century. In works by Die Brücke, color diverged from nature and became a record of emotion; forms were radically simplified, or exaggerated and distorted; bohemian subject matter argued for a Socialist politics. Their nudes, landscapes and urban scenes--featuring depictions of dances, cabarets, cafés and the sorts of street encounters that were typical of Berlin in the years after 1911--are among the greatest works produced by early-twentieth-century artists. Containing important paintings, sculptures and prints by Heckel, Kirchner, Otto Mueller, Emil Nolde, Max Pechstein and Karl Schmidt-Rottluff, this invaluable volume is a definitive record of the birth of Expressionism.

Muestra monográfica del artista navarro Carlos Ciriza, que recopila gran parte de su producción artística desarrollada entre los años 1986 y 2011. 

Libro dedicado al pintor alemán del Romanticismo Carl Spitzweg, considerado entre los representantes más importantes del período Biedermeier.